Trade show & exhibition floors · Orlando
They walk past your booth. I stop them.
Comedy magic that turns aisle traffic into conversations your sales team can actually use. I work in your booth, in your shirt, with your message inside the routine.
Performed for
The problem
You paid for the space, the build, the flights and the staff. Then most of the show walks straight past.
And the people who do stop are often the ones who just want the free pen. Getting attention on a show floor is a separate job from selling. That is the job I do.
On the day
Every hour, on the hour
I work a four hour block, timed to your busiest window on the floor. Inside it the same five things happen every hour, then the aisle refills and we go again.
Step 01
Stop them in the aisle
Not a sign and not a bowl of sweets. Something they have to stand still to watch.
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Step 02
Hold the crowd
A tight twelve to fifteen minutes, built so nobody drifts off halfway through.
12–15 min
Step 03
Your brand, inside the magic
Your product, your slogan, your language, worked into the routine itself rather than bolted on the end.
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Step 04
Qualify while I talk
A short conversation separates a real prospect from someone collecting tote bags.
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Step 05
Hand them to your rep
Warm, curious and already knowing what you do, rather than cornered by a stranger.
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Included
I wear your shirt
Put me in your branded gear and I read as part of your team, not a hired outsider standing next to the booth.
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What you get
A booth that is never empty
01
A crowd attracts a crowd
The hardest person to pull in is the first one. After that it builds on itself, and a busy stand is the best advertising on the floor.
02
Conversations, not badge scans
Your team spends the day talking to people who stopped on purpose rather than chasing strangers down the aisle.
03
Your staff freed up to sell
Flagging down passers by is the part most sales people hate and few do well. I do that part, they do the closing.
Setting it up
We talk before the show
A call, or in person since I am local. I learn what you sell, who you want to meet, and the one thing you need people to remember. Then I build that into the act so it comes out naturally instead of sounding like an advert.
01
On the day I need nothing
No table, no backing, no stage, no lighting rig, no sound. I work standing, in your booth, in whatever footprint you already have.
02
Twelve years of live rooms
Weekly stage work at the Outta Control Magic Dinner Show in Orlando, plus cruise ship shows for American Cruise Lines. Twelve years of holding an audience and adjusting in real time, which is the part of a show floor you cannot script in advance.
03
No travel on the bill
The convention center is my home city. No flights, no hotel, no travel day. If the show runs long or you want an extra day, I am twenty minutes away.
For exhibit and marketing managers
Fifteen minutes to see if it fits.
Tell me which show, which booth, and what you need people to remember.
Your booth, busy.
Tell me the show and the dates. I will tell you straight away whether I am free.